» PEOPLE’S HISTORIAN LIAO YIWU (廖亦武) LEAVES CHINA

Liao Yiwu in Wenjiang, July 2010. Photo (c) Brian Awehali


JULY 2011 | After repeatedly being threatened with imprisonment if he chose to continue publishing his “illegal work” in foreign countries, Liao Yiwu (廖亦武) has fled to asylum in Germany
. In the weeks and months following the outbreak of popular revolt in the Arab world, the Chinese government’s repression of critical voices intensified, and Liao had been warned that he would be arrested if he chose to publish the German edition of his forthcoming memoir, Testimonials: The Witness of the 4th of June.

Philip Gourevitch has written a typically solid piece for the New Yorker detailing Liao’s “escape” from China and the reason his work is important enough to be threatening to China’s leadership. The piece includes the following quote from Liao about his status as a political “refugee”:

“I’m excited about political developments in China, and looking forward to a Jasmine Revolution. I am quite sure that Hu Jintao may be a refugee some day, but not Liao Yiwu.”

May this be so. When I had the opportunity to meet and interview Liao several times in 2010, I was deeply inspired by his willingness to take enormous risks in service of truth-telling, free thought, and art. Interested readers can check out the lengthy profile I did of Liao following these interviews, “Drift to Live.” which appeared originally on Counterpunch, then in expanded form here on LOUDCANARY.

Liao was denied permission to visit the U.S. in April of 2010, but he is scheduled to visit New York again this Fall, when there may be considerably less the Chinese Communist Party can do about it.

» LITTERBUG WORLD: Overproduction, Waste & the Limits of Recycling

Heather Rogers’ film and book, Gone Tomorrow: The Hidden Life of Garbage, explore the “sinister success” of capitalism by looking at the life cycle of our waste.  They examine the realities of planned-in obsolescence and waste-by-design in our market economy, asking deep questions from a fresh perspective. Rogers contends that recycling is far from an actual solution, and is at best a band-aid approach—a much harder look, she argues, needs to be taken at our addiction to waste.

This interview by Ariane Conrad originally appeared in LiP magazine and was anthologized in Tipping the Sacred Cow. (AK Press) [PDF; available as of May 2011]

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What inspired or motivated you to make Gone Tomorrow?

Heather Rogers: Two things: I wanted to know what happened to my garbage, because it seemed like it disappeared, but I knew that it didn’t. I wanted to find out where it went. I also realized that “waste disposal” is a process through which the market’s relations to labor and nature is made apparent. [Gone Tomorrow] is a way of understanding that garbage is something everyone makes—everyone can relate to it. It’s a way of connecting daily life and our daily interaction with waste to larger environmental crises.

In your film, you document several of the major shifts that occurred in the attitude towards garbage in the U.S.. Can you talk a little bit more about the most significant shifts?

It’s not so commonly known anymore, but in the 19th century there was a huge amount of re-use going on. A lot of it came from the fact that people couldn’t afford to buy manufactured goods because they were so expensive. One of the big shifts came with the Industrial Revolution, when commodities suddenly became much cheaper. The spatial component of the Industrial Revolution transformed the way people lived, so that suddenly people were leaving the countryside and concentrating in cities, to go work in the factories. They didn’t have places to save and store their waste like they had in the countryside, so it wasn’t as easy to save fat, for example, or scraps of materials to re-use and repair. That, in conjunction with commodities becoming cheaper, meant that people bought more of the things they needed instead of making them themselves.

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» CHINESE WRITER AND ACTIVIST RAN RUNFEI (-冉云飞) DETAINED FOR “SUSPICION OF SUBVERSION”

Authorities in China are nervous. Evidence of their unease may be seen in the government’s exaggerated response in February 2011 to fears of a “Jasmine Revolution” inspired by the recent wave of revolt in the Middle East and North Africa. After hearing word of an online call for protests in thirteen Chinese cities, the government arrested more than 100 activists, blocked Internet search terms such as “jasmine,” and disabled mass texting services throughout the country. The protests themselves reportedly drew only a handful of people.

Ran Yunfei at book signing, 2008

One of the activists arrested was Ran Yunfei (冉云飞), a tireless Chengdu-based writer and historian who wrote a strong letter in support of Charter 08 activist Liu Xiaobo in December 8, 2010 for the Guardian. (see *, below, for most recent updates on Ran Yunfei)

I met Ran at a riverside teahouse in Chengdu in May of 2010, and he was energetic and talkative to the point of being garrulous. His shaved head showed the scars of at least several bad beatings, and his speech (in Chinese) was so frantic that I only caught every fourth or fifth of his thoughts or sentences through a translator. Before his detention, he blogged manically, wrote large social history books, and was a “subscriber,” meaning official supporter or signer of, Charter 08.

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» DRIFT TO LIVE: A Profile of Liao Yiwu (廖亦武), China’s Most Censored People’s Historian


In July 2011, three months after this profile was written, Liao Yiwu slipped across the Vietnamese border and got to Berlin, Germany. Interviewed shortly upon arriving he said:

“I’m excited about political developments in China, and looking forward to a Jasmine Revolution. I am quite sure that Hu Jintao may be a refugee some day, but not Liao Yiwu.”

Read more about that here.

interview and photos by Brian Awehali

Liao Yiwu in Wenjiang, July 2010 - Photo (c) Brian Awehali

Q:You’ve been sentenced to four years in prison, right?

A: Yes… I’m now locked up with over twenty counterrevolutionaries who were involved in the June 4 student movement. All of them are just ordinary folks: teachers, college students, workers, migrant workers, a deputy county village chief, a tax collector, a journalist, and some unemployed youngsters…Everyone is so kind, not only to one another, but also to animals.

Let me tell you a story. One morning, a pigeon suddenly fell from the sky to the ground… its wings and legs were broken. This small accident glued all the inmates together and kept us busy for quite some time. We took turns caring for that little pigeon. One guy made a cast out of a bamboo shoot and attached it to the pigeon’s leg. Another inmate stole some antibiotic ointment and cotton swabs from the prison clinic to treat its wounds…During the next few days, we dug up worms, and saved rice, beans, and corn from our ration to feed the bird…After two weeks, the pigeon was fully recovered. It became restless and was ready to say goodbye.

[We] had an idea: Why don’t we use this pigeon to send a message to the outside world? Everyone thought it was a great idea. We found a pen and a piece of paper [and wrote a] message: “We are twenty-three political prisoners. We are in jail because of our involvement in the June 4 student movement. We aim to overthrow the totalitarian system and bring democracy to China. That’s our aspiration. We hope people outside don’t forget about us and about our fight for democracy.”We tied the paper to the leg of the pigeon and held a farewell ceremony in the courtyard. We named the pigeon our “messenger for democracy” and released it.

The pigeon circled above our heads and then up to the sky. A few minutes later, for some unknown reason, the bird came back, circled around, and flew in the direction of the correctional officers’ dorm building…”

A man and his pigeon, Chengdu, Sichuan, photo (c) 2011 by Brian Awehali

The story above, first told to Chinese people’s historian Liao Yiwu in 1993, by a former bank official and fellow prison inmate who was not initially sympathetic to the student movement, ends with the revelation that the pigeon was a pet of one of the prison officers who, believing the bird dead, was amazed when it returned after two weeks, healthy and bearing on its leg the prisoner’s handwritten appeal to the outside world. Reprisals ensued.

When I was in China last year, I heard and read many colorful stories. Here’s a strictly true one: a Chinese official, speaking to a visiting US official sometime in 2010, says, in somewhat condescending fashion, “We are very impressed with the gains your country has made in its short 200-year history,” to which the US official replies,  “Yes, we are very impressed with the gains of your 60-year-old country as well.”

There are, after all, people, and then there are states. There’s the massive 5,000-year-old “culture” of China, made up of many different peoples, incorporated and renegade, spread over every conceivable terrain and holding as many or more distinct and idiosyncratic beliefs and practices as they hold in common, and then there’s “China,” the totalitarian state and its fractious apparatus. Beginning around 1958, under the leadership of Mao Zedong and the People’s Republic of China (PRC), the latter declared a roughly thirty year war on the culture, traditions, infrastructure and very memory of the former: temples, libraries, museums and universities were razed; millions of intellectuals, professors, specialized workers, landowners, landlords and other “liberal bourgeois elements” were imprisoned or murdered. Thirty million people—the number almost defies comprehension—starved to death after the government outlawed private farms and forced farmers in the country to send unreasonable quotas of their harvest to the cities to feed urban workers during the Great Leap Forward, an attempt to rapidly transform China into an industrial power. Compounding the stark material realities of life under Mao, during the Cultural Revolution, family members and neighbors were turned murderously against each other in series of state-directed ideological campaigns and “purges,” and official records and memories not echoing the government’s line were destroyed.

Liao Yiwu (廖亦武) was born in 1958, almost ten years after the founding of the PRC, and his often principally embattled life and many volumes of work both cast extraordinary light on the traumatic and complex collision between the Chinese people and their modern state. He’s been imprisoned and tortured for writing and distributing his poetry, and though his work has received significant international attention and acclaim, it’s also completely banned in China.

“Why should the government fear me?” says Liao smiling, the first day we meet, along with an interpreter and several of Liao’s writer friends, at a riverside teahouse outside of Chengdu, in Sichuan province. “I’m just a guy who tells stories.”

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» LIFE AFTER DEATH: A Gleefully Morbid Exploration of Cadavers, Body Donation & Human Composting

Erin Wiegand interviews Mary Roach


With one book written on cadavers (Stiff: The Curious Lives of Human Cadavers) and another on ghosts (Spook: Science Tackles the Afterlife), you might expect Mary Roach to be a pretty disturbed individual. She’s not. While her subject matter tends towards the macabre, Roach is simply one of those writers who’s fascinated by the unusual, the unlikely, and the more-than-a-little-disturbing.

Whether she’s writing about post-death opportunities for employment or the origins of ectoplasm, she has the uncanny ability to satisfy the morbid curiosity you never knew you had…

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» RUINS OF LOS ANGELES #1: Sunken City of Graffiti, Wildflowers & Concrete

If you head north along the Los Angeles coastline, you can find a once posh neighborhood that slid into the sea back in the 1930s. On the way, you’ll see a lot of loading cranes on the horizon, just like the ones Oakland pridesters like to wear on their hoodies and t-shirts. In fact, there are many more of these cranes in the Los Angeles harbor than there are in Oakland, where I live. Whatever. As far as I’m concerned, they’re either symbols of dirty transoceanic shipping that can be found in almost any port city, or they’re symbols of George Lucas’s frenzied imagination of imperial military might. Either way, it’s hard to see where pride or geographic specificity figures into it. [UPDATE: Maybe now that Oakland managed a general strike and shut down the Port of Oakland, it's a better symbol.]

After the cranes, and at the end of Fermin Park, is a tall fenced gate and barricade. Past the fence, the road continues to an abrupt end, and well below that is the so-called sunken city of Los Angeles. Between a dozen and two dozen homes were destroyed in quakes and ongoing slides as the cliff here gave way. A manhole cover sits two inches from the edge of a cliff. Between several improbable palm trees, tall grass, blooming fennel and wildflowers overtake broken, wildly angled and heavily graffiti’d roads, pipes and curbs.

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» RUINS OF LOS ANGELES #2: The Old Griffith Park Zoo

On a recent trip to Los Angeles, I stayed at a bland beige corporate hotel chain with paper coffee cups that thanked me for making a difference. The cups were made of 100% recycled material, and despite there being no other choice for a cup in sight, I nevertheless apparently now get to save the world and make a difference just by drinking my coffee. No, thank-you, green capitalism. Thank-you for caring.

I had several days to kill, so I decided I was most interested in seeing Los Angeles in ruins. This involved spending almost as much time on freeways, in traffic, as it did actually seeing things of interest, but I mitigated that misery with a good soundtrack: The Doors, Darker Than Blue: Songs From Jamdown, 1973-1980, and a lot of very loud Popol Vuh.

Not far from West Hollywood, in one back corner of Griffith Park, are the bizarre ruins of the old Los Angeles Zoo (1912-1965), where I made my first stop. WPA workers in the 1930s hand-sculpted a variety of animal-scaled stone (concrete) caves, stairways and cages for the zoo, perhaps attempting to approximate the feel of the animals’ native cage environments. They also courteously placed several picnic tables just in front of the bars, so visitors could sit down and enjoy lunch without having to move away from the entertainment.

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» SWEATSHOP-PRODUCED RAINBOW FLAGS & PARTICIPATORY PATRIARCHY: Why the Gay Rights Movement is a Sham

Newly available as part of the online release of Tipping the Sacred Cow – The Best of LiP: Informed Revolt, edited by Brian Awehali (AK Press) [PDF]. From the “Constructively Negative” Sacred Cows issue.

As legends go, San Francisco is the place for sexual debauchery, gender transgression and political deviance (not to mention sexual deviance, gender debauchery and political transgression). The reality is that while San Francisco still shelters outsider queer cultures unimaginable in most other cities, these cultures of resistance have been ravaged by AIDS, drug addiction and gentrification. Direct on-the-street violence by rampaging straights remains rare in comparison to other queer destination cities like New York, Chicago or New Orleans, but a newer threat has emerged. San Francisco, more than any other US city, is the place where a privileged gay (and lesbian) elite has actually succeeded at its goal of becoming part of the power structure. Unfortunately (but not surprisingly), members of the gaysbian elite use their newfound influence to oppress less privileged queers in order to secure their status within the status quo. This pattern occurs nationwide, but San Francisco is the place where the violence of this assimilation is most palpable.

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» THE POLITICS OF POOP: Against the Modern Flush Toilet and Sewage System

Newly available as part of the online release of Tipping the Sacred Cow – The Best of LiP: Informed Revolt, edited by Brian Awehali (AK Press) [PDF]

» IF WOMEN RULED THE WORLD, NOTHING WOULD BE DIFFERENT

by Lisa Jervis

Newly available as part of the online release of Tipping the Sacred Cow – The Best of LiP: Informed Revolt, edited by Brian Awehali (AK Press) [PDF]