» CAPITALISM MIDWIFED FEMINISM?

ImageSusan Faludi has a customarily trenchant piece in the current issue of The Baffler, “Facebook Feminism, Like It or Not,” that explores feminism’s path, from the organizing efforts of “mill girls” in 1834 in Lowell, Massachusetts, to today’s popular brand/seminar/book phenomenon, Lean In: Women, Work and the Will to Lead, where empowerment can take many ill-defined forms, including breathless paeans to guru/leader/author Sheryl Sandberg on Facebook:

“THANK YOU FOR LEADING THE REVOLUTION!!!!☺”; “sheryl is inspirational! I missed zumba for this and happy I did!”

“The scene at the Menlo Park auditorium, and its conflation of “believe in yourself” faith and material rewards, will be familiar to anyone who’s ever spent a Sunday inside a prosperity-gospel megachurch or watched Reverend Ike’s vintage “You Deserve the Best!” sermon on YouTube. But why is that same message now ascendant among the American feminists of the new millennium?

Sandberg’s admirers would say that Lean In is using free-market beliefs to advance the cause of women’s equality. Her detractors would say (and have) that her organization is using the desire for women’s equality to advance the cause of the free market. And they would both be right. In embodying that contradiction, Sheryl Sandberg would not be alone and isn’t so new. For the last two centuries, feminism, like evangelicalism, has been in a dance with capitalism.

YouGoGirlIt’s a fabulous and important read. Check it out, then poke around The Baffler site for more eviscerating gems. You might also check out “The Object of the Object,” an adaptation of a chapter from Faludi’s book, Stiffed, exploring changing gender roles in the porn industry, which appeared here on LOUDCANARY as part of the extended online release of Tipping the Sacred Cow – The Best of LiP: Informed Revolt, an anthology which also features Lisa Jervis’s excellent related piece about “femininism” and the politics of female self-aggrandizement, “If Women Ruled the World, Nothing Would Be Different.”

» THE TWIN ENGINEERING WONDERS OF DUJIANGYAN: Irrigation & Detention

by Brian Awehali

Dujiangyan Irrigation Park shishi, or Imperial Guardian Lion (石獅), photo (c) 2013 Brian Awehali

Dujiangyan Irrigation Park shishi, or Imperial Guardian Lion (石獅), photo (c) 2013 Brian Awehali

Dujiangyan is a system of irrigation channels largely responsible for the renowned fertility of the Chengdu basin, in southwestern China. This elaborate engineering wonder, built about 2300 years ago, and still in use today, is what makes Sichuan province the most productive agricultural area in China. Most contemporary dams use a big wall to block water, adversely impacting the natural flow of fish and other marine life, but the ancient Dujiangyan irrigation works lets water and fish continue to flow.

I have no idea how old the statue above is (2300 years?), but the colossal millipede nestled in this gargoyle’s ear looks old and big enough to be from an entirely different geologic era.

Dujiangyan is also home to another old and elaborate example of Chinese engineering: the Dujiangyan Detention Facility, one of many outposts in the sprawling Chinese police state. Literally countless dissidents, political activists and otherwise problematically outspoken people have been detained, tortured and interrogated at these facilities.

Dujiangyan Irrigation Park signage, photo (c) 2013 Brian Awehali

Dujiangyan Irrigation Park signage, photo (c) 2013 Brian Awehali

A lot of even modestly well-informed Westerners don’t know about the full scope of China’s police state, it’s laogai prisons or its contemporary forced labor practices. One reason for this ignorance is simply that the Chinese government works very hard to control news and information about its internal security apparatus, but another reason surely has to do with just the sheer size of the apparatus.

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» LiP: INFORMED REVOLT – The Grossly Unexpected Bugs Issue

LIP: Informed Revolt #7 - The Grossly Unexpected Bugs Issue

Some people shot us weird looks when we announced “bugs” as the theme for the final issue of LiP. A few others reacted with exuberance, as if all this time we’d been talking about the political, what they’d been really wanting to read about was the entomological.

This issue was an attempt to slip a certain noose of predictable political formulations. One of several operational definitions given for “politics” is “the total complex of relations between people living in society,” yet the obvious interdependence of human beings and the natural and animal world makes it reasonable to expand the definition of politics to include, well, just about everything; even—especially, as it turns out—bugs.

The lineup and links to a PDF of the complete issue after the jump…

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» CONSIDER THE COMPLETE CHICKEN

by Brian Awehali

San Juan Chickens Before Harvest - photos (c) 2012 Brian Awehali

San Juan chickens before harvest – photos (c) 2012 Brian Awehali

“I am largely worried about wingless chickens. I feel this is the time for me to fulfill myself by stepping in and saving the chicken but I don’t know how exactly since I am not bold. I only know I believe in the complete chicken. You think about the complete chicken for a while.”

Flannery O’Connor, The Habit of Being: Letters of Flannery O’Connor

I’d asked if I could come and see the chicken harvest. It was a sunny day in the San Juan Islands, and my acquaintance with two farmers had presented an opportunity to see a free-range, all organic culling, or harvest.

Chickens Clamoring for Feeding - (c) 2012 Brian Awehali

“Do you think they have any idea that today’s different from other days?” I asked one of the farmers as he beckoned the chickens.

He paused handsomely in his well-worn green t-shirt with a large peace sign on the chest and scratched an unruly sun-bleached beard.

San Juan Chicken Portrait - (c) 2012 Brian Awehali

“Nah. They have a simple life, and they’ve never known anything but this, so why would they?”

“And anyway, these are broiler chickens. They can’t live past about two years old, or their hearts give out.”

I watched the chickens, and the few dark ducks in the flock, who were eager to approach in hopes of being fed, and paid me no attention as I shot photos. A few had to be chased down and put into the enclosed truck bed, but most just filed in, clucking, in a way that made me think darkly of Black Friday.

About 9 billion chickens are harvested and eaten each year in the United States. Most are slaughtered in factory farms, where “cervical dislocation,” “asphyxiation by carbon dioxide,” and maceration (grinding) are considered the best “acceptable humane methods.” I was curious to see a smaller, sustainable family-run operation, where the farmers actually care about the quality of the chicken’s lives, care about what they eat, and where they participate directly in the harvest, rather than resorting to mass mechanical means.

Once all of the chickens were in the back of the truck, we rolled towards several white tents where the harvest would take place.

Chicken feet in a cone. - (c) 2012 Brian Awehali

This type of chicken has been bred for early harvest, as well as for an easygoing temperament and generally pleasant appearance. They did not get too excited in the truck, nor did they put up much resistance before being placed headfirst into tapered metal bleeding cones, where their vivid yellow feet and bright red combs twitched as they bled out.

“When I was six I had a chicken that walked backward and was in the news. I was in it too with the chicken. I was just there to assist the chicken but it was the high point in my life. Everything since has been an anticlimax.”

– Flannery O’Connor

[Warning: graphic material follows the jump]

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» NEW MEXICO NOTES #1: Santa Fe Differs

by Brian Awehali

On by far my most memorable winter stroll around the then-deserted College of Santa Fe, on visits to the Santa Fe Art Institute, I peered around a corner into a courtyard, looking for some mundane scene to exoticize with my camera when I heard what sounded like a theremin being played. Perhaps some artist was noodling around with one? Then a low-pitched thrum and bright light settled overhead and seemed to move closer.

Just prior to the unfortunate alien incident while visiting SFAI. - (c) 2012 Brian Awehali

Just prior to the unfortunate incident in the courtyard of the Santa Fe Art Institute (SFAI). – (c) 2012 Brian Awehali

When the hatch opened, I heard music that sounded a lot like the cantina music from the first “Star Wars” movie. Despite associations with the needless bloodshed of that scene, where Han Solo kills a business associate with his blaster, I was excited. Stories of alien visitation are common in New Mexico, especially around Roswell, but I didn’t take them very seriously, and I definitely didn’t imagine I’d be having any such experiences first-hand. I imagined, mostly because of the music, that there was a grand party going on inside, and that I’d soon be dancing, knocking back shots of oddly-colored liqueurs, or smoking alien herbs through exotic pipes with new friends.

Unfortunately, the visitors had traveled all these light years merely for the purpose of collecting stool samples.

* * *

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» OF BICYCLES, BIRDS & SPICES: A photo walk around Chengdu, Sichuan

by Brian Awehali

Pedal-powered creative re-use artist in Chengdu - (c) 2012 Brian Awehali

Pedal-powered creative re-use artist in Chengdu – photo (c) 2012 Brian Awehali

The scale of things in China - (c) 2012 Brian AwehaliCar ownership is on the rise, but bicycle culture in Chengdu, and China generally, remains amazing. Many, perhaps most, main roads have dedicated bike lanes, and it’s really common to see things like hard-working (and exhausted) trash recyclers carting Seussian-levels of stuff around on pedal-powered vehicles (above), or a lone cyclist pedaling calmly through a terrifyingly busy intersection (left).

Fan of Babeel, former striker for Liverpoot? (Chengdu) - (c) 2012 Brian Awehali

I’m sure lots of the Chinese (Mandarin) lettering on t-shirts I see in the U.S. is mangled or just downright wrong, but since I can’t read traditional or simplified Mandarin, that’s nowhere near as funny to me as the botched English translations I saw everywhere in Chengdu. There’s quite a lot of emulation and outright copying of Western culture — especially consumer culture. This teenager stalking into an underpass near the Chengdu bus station might be expressing his esteem for striker/winger Ryan Babel (not Babeel), the Dutch football player who used to play for… Liverpool (not Liverpoot)… but it’s just as likely that the kid just liked the way this looked.

At Chengdu International Airport, the wheelchair-accessible stalls in the men’s bathroom have the pictograph you might expect, with Mandarin lettering and then, below that, in English translation: “Deformed Man End Place.” Picture after the jump:

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