» AND THE FUTURE IS…

The future is what you make of it” isn’t just some annoying optimists’ platitude, thanks to the ministrations of professional futurists. Ford, Kraft, Motorola, and a host of other companies employ people in their “internal futures” departments; the University of Houston now offers students a degree in futurology; and various think tanks, most of them conservative in orientation, act as factories for professional speculators and their ilk. Creating the future, it seems, is the best way to predict it.

Comparisons to the more fabulous and generally less professional wing of the futurist community—palm, tarot and crystal ball readers, millenarian apocalypticists, Miss Cleo—are tenuous at best. Frankly, most divinators aren’t terribly interested in manufacturing the future in ways broadly aligned with the interests of corporate and government elites. And no self- respecting divinator would be caught dead using “strategic foresight,” “competitive behavior anticipation,” or any other such tool of the more employed wing of the futurist camp. There’s just no life in it.

To combat the professionals, and after failing to generate any predictions of our own that weren’t predictably bleak (and not all that useful) we advertised online for someone with real divination skills, and sifted through about 200 responses before settling on Victor, who mostly makes his living now as an online gambler. The predictions Victor gave us certainly aren’t “professional” in any sense of the word, but we were somewhat surprised—and frequently dismayed—at his prognostications…

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» TRESPASS AT WILL: Squatting as Direct Action, Human Right, and Justified Theft

“Approximately 3.5 million people in the U.S. are homeless, many of them veterans.  It is worth noting that, at the same time, there are 18.5 million vacant homes in the country.” – Tanuka Loha, Amnesty International, December 2011

by Erin Wiegand

IT’S A COLD, WINDY NIGHT IN SAN FRANCISCO, and three men are about to take shelter in a vacant apartment building. One of them digs a crowbar and bolt cutters out of his backpack; another keeps a careful eye out for police or passersby. In a matter of seconds they’ve snipped off the lock and opened the door. They survey the house, looking for any signs of occupancy or renovation—newspapers or mail, paint buckets or ladders. Satisfied that the house has been empty for some time, they relax and settle down for the night. Tomorrow, they’ll put a new padlock on the door, and set about fixing up their new home.

Thousands of miles away in Amsterdam, 50 young people have set up a barricade outside the front of a large building. The police, in full riot gear, file out of their vans and form a line opposite them. Inside the house, the doors have been reinforced with sheets of scrap plywood. The last remaining people in the building pour bottles of vegetable oil down the stairs in order to slow the cops down. Outside, the police raise their batons and charge the house.

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» POETRY & THE POLITICAL IMAGINATION: Aimé Césaire, Negritude & Surrealism

by Robin D. G. Kelley

Negritude, by Wilfredo LamAimé Césaire demolishes the old maxim that poets make terrible politicians. Known in the world of letters as the progenitor of Negritude (the first diasporic “black pride” movement), a major voice of Surrealism, and one of the great French poets, Césaire is equally revered for his role in modern anticolonial and Pan-African movements. While it might appear that the poet and politician operated in separate spheres, Césaire’s life and work demonstrate that poetry can be the motor of political imagination, a potent weapon in any movement that claims freedom as its primary goal.

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» THE OBJECT OF THE OBJECT: Porn, Dignity & the Masculine Mantle

by Susan Faludi

A few years ago, if you traveled up Van Nuys Boulevard to the 4500 block, you could meditate, like Ebenezer Scrooge, on the hollow murmurings and frenzied forebodings that are the ghosts of American commerce, past and future. This particular business strip belongs to the San Fernando Valley suburbs of Los Angeles, which means it could be anywhere. The east side of the street displays the flattened state of things to come: a block-long mini-mall parking lot lined with consumer franchises—a Blockbuster Music store, a Baskin-Robbins, a Humphrey Yogart outlet, a General Cinema twoplex next to large signs announcing, coming soon, a General Cinema ‘‘Multi Theater Complex’’ offering a unique movie going experience with five more screens, bigger and better. Across the street, on the west side, is the past, and crumpled newspapers and discarded Baskin-Robbins cups skitter up and down its crud-caked sidewalks. At the boarded-up entrances to former hardware stores and shoe-repair shops, where tradesmen’s tools once clattered, clouds of gnats hover, making loitering un- pleasant. The small independent businesses have abandoned the field. On the day I first passed through here, even a thrift store bore a “for lease” sign.

Only one veteran remains open for business, tucked away on a second floor, up a well-worn set of stairs. Behind an unmarked door lies a room the size and shabby complexion of a one-man private detective agency from another era; dust-covered vertical blinds quiver in the stale air circulated by a floor fan. A frayed gray-blue carpet with a permanent crease down the middle is held down by two chipped desks, each with an over-flowing ashtray and a five-line phone, which blinks and rings ceaselessly from nine to six. The company sign with its blue globe logo has presided over the street for most of the firm’s nineteen years, an exemplar of discreet advertisement from a more decorous time: Figure Photography Films. Wanted: Figure models for immediate placement. 986-4316. Suite 203. The ad belongs to the World Modeling Talent Agency, central casting for the nation’s pornographic film, video, and magazine industries.

I began to get a glimmer of the landscape the new young men of modern porn were struggling to traverse: a treacherous terrain that had more to do with work than sex, more to do with gender identity than genital excitement. It was also a terrain more relevant to the larger working male population than most men would care to contemplate.

The agency has survived, despite the old-fashioned propriety of its sign, by accommodating the forces unleashed across Van Nuys Boulevard. In a world where desire is packaged in videocassettes or DVDs and marketed in malls, where self-worth is quantified by exposure, World Modeling has become the last-chance opportunity for a generation desperately seeking “immediate placement.” It is a backstage door to the current American dream and an emergency escape hatch for some who find themselves capsizing in a reconfiguring American economy. Which is why, by the last decade of the century, World Modeling would become a mecca beckoning not just women but men. More men, in fact, than women; more men than this industry of feminine display could even begin to absorb.

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» THE BUG IS THE SYSTEM: A Freewheeling Romp Through the Natural and Social Implications of Chaos Theory


by Clare Lacy (from the extended online release of Tipping the Sacred Cow – The Best of LiP: Informed Revolt)

Human civilization supposedly thrives on order and predictability; it means that people will obey traffic laws and pay their taxes, show up to work on time, and keep their word. Predictability gives us a sense of order, and order lends itself in varying degrees to unity, to nationalism, to legality, and to community. Whether we like it or not, much of our lives are governed by these ideas of order and predictability, and by our assumptions that these ideals are universal and natural. And indeed, nature does follow its own order with periodic population swells, predictable animal behavior, and food chains, but in attempting to mimic or find equilibrium with natural conditions, humans never seem to be able to get it quite right.

With all variables seemingly accounted for, chaos often predominates over predictive systems, and we are left wondering what clue we are missing in our search for order in natural systems. In every field of inquiry, scientists have come up against certain problems that until the advent of chaos theory were written off as unsolvable.

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» HELD HOSTAGE TO HOPE: Derrick Jensen on Civilization & Its Discontents

“It’s not just false hope that’s the problem, it’s hope itself…’Hope is a longing for a future condition over which you have no agency.'”

A free-ranging interview with the author of A Language Older Than Words, Welcome to the Machine, and The Culture of Make Believe about civilization, violence, activism, pacifism, reasons for optimism, and why hope is a bad thing.

A counterpoint interview about Malthusian economics and cults of catastrophism is also offered, with social historian Iain Boal, “We’re Not Doomed; That’s the Problem.”:

Many people believe, at least a little, that the end of human beings–whether by ecological disaster, the collapse of the oil economy, or nuclear extinction–is inevitable. For some, this projected collapse represents a just termination for a species they consider parasitic and pathologically unable to establish an equilibrium with the natural world and the creatures who  depend upon it. Others laments the tragedy of our fate.

But what role do faith and belief play in all of this? What if the capitalist realities of scarcity and collapse have been mistakenly interpreted as natural inevitabilities?  

>> READ THE FULL ARTICLE (PDF; 8 pages)

[From the online release of Tipping the Sacred Cow - The Best of LiP: Informed Revolt.] 

» PROPAGANDA, PUBLIC RELATIONS, AND THE NOT-SO-NEW DARK AGE

by Stephen Bender and Brian Awehali
(from the online release of Tipping the Sacred Cow-The Best of LiP: Informed Revolt)

Edward L. Bernays birthed the public relations industry in the United States. His clients included General Motors, United Fruit, Thomas Edison, Henry Ford, the U.S. Department of State, Health, and Commerce, Samuel Goldwyn, Eleanor Roosevelt, the American Tobacco Company, and Proctor & Gamble. He directed public relations campaigns for every president from Calvin Coolidge in 1925, to Dwight Eisenhower in the late 1950s. He was, in the estimation of cultural historian Ann Douglas, the man “who orchestrated the commercialization of a culture.”

READ THE FULL ARTICLE (PDF; 6 pages)