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» LONG LIVE THE OUTLAWS: The Great Art and Forgery of Elmyr de Hory

by Brian Awehali

Most petty crime is dull, in both motivation and execution. But I have always wished I could be a great outlaw. Consider the outlaw, and the merits of his or her avocation: the perpetration of grand, spectacular, and/or marvelous crime. A widespread and enduring fascination with outlaws, hucksters, escapists, charlatans, and rogues of various ilk has always harkened to embrace the heroic combination of focus, ingenuity, bravery, determination, and intelligence needed to rise to a level of criminal infamy.

“I love the trite mythos of the outlaw,” wrote Tom Robbins, in his comic novel, Still Life with Woodpecker. “I love the self-conscious romanticism of the outlaw. I love the black wardrobe of the outlaw…The outlaw boat sails against the flow, and I love it. Outlaws toilet where badgers toilet, and I love it. All outlaws are photogenic, and I love that…There are outlaw maps that lead to outlaw treasures, and I love those maps especially. Unwilling to wait for mankind to improve, the outlaw lives as if that day were here, and I love that most of all.

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